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Ten Painting Tips

8/31/2013

1 Comment

 
Picture
The following are ten steps I encourage all of our students to consider as they paint.
  1. Start with a Value Sketch. Break the scene into large shapes based upon values. This is the time and place to solve problems with your composition. If the value sketch doesn't look like a great painting in the making, then fix the compositional problems in the sketch, or do another one from a different vantage point.
  2. Trace out your composition onto your painting surface using your value sketch as your guide. Don't look at your subject while you do this, as there will be a temptation to add new things  into the composition.
  3. When you begin painting, rough in your focal point first and then establish your other major shapes based upon the focal point.
  4. Paint with a big brush to stop you from wasting your time and draining the energy from your painting. A 3/4" brush on an 8x10 canvas, 1" brush on a 12x16 or 16x20. Go bigger if you work on bigger surfaces.
  5. Learn to paint with your arm, not with minuscule movements of your fingers and wrist. By painting with your arm, you use the energy of your body vs the energy of your fingers.
  6. Watch where the light is coming from and what it does. Where are the highlights and where are the shadows? If you're painting plein air, capture these in your value sketch, and don't chase your shadows all over your canvas. Establish them in the beginning and stick to them.
  7. Start with your foreground and mid-ground shapes first. Finish by cutting in your background. This has two effects. It allows you to finish and refine your foreground shapes. And, the resulting painting will automatically look more "painterly".
  8. Vary your brushwork. Unless you are trying to achieve a specific effect, use different (appropriate) strokes for different areas. However, don't get too complicated either so that your brushwork becomes the subject of the painting. Do this for effect, not for it's own sake or to show off your technique.
  9. Make sure you balance your accent colours. Usually a good approach is to use your accent in three spots on the painting. The main accent, secondary and a tertiary spot. 
  10. Finish your painting by placing your final highlight and deep shadow marks.
Try these ten steps on your next painting and see if they help you keep out of trouble and produce stronger, more cohesive work.

Cheers,
Keith Thirgood
www.wilsonstreetstudios.com

1 Comment

    Keith Thirgood

    Is an artist working in the Canadian, post impressionist style. I paint  en plein air when I can and in the studio the rest of the time.
    I teach both studio and plein air workshops and use this blog to supplement the classwork.

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